Fetching the paper…
Reading the bibliography…
Automatic Music Transcription, which consists in transforming an audio recording of a musical performance into symbolic format, remains a difficult Music Information Retrieval task.
P. Smaragdis and J. C. Brown, “Non-negative matrix factorization for polyphonic music transcription,” in 2003 IEEE Workshop on Applications of Signal Processing to Audio and Acoustics . IEEE, 2003, pp. 177–180
2003
Earlier work this paper cites.
D. Donoho and V. Stodden, “When does non-negative matrix factorization give a correct decomposition into parts?” in In Advances in Neural Information Processing 16 , 2003
2003
Earlier work this paper cites.
P. Smaragdis, “Convolutive speech bases and their application to supervised speech separation,” IEEE Transactions on Audio, Speech, and Language Processing , vol. 15, no. 1, pp. 1–12, 2006
2006
Earlier work this paper cites.
E. Vincent, N. Bertin, and R. Badeau, “Harmonic and inharmonic nonnegative matrix factorization for polyphonic pitch transcription,” in 2008 IEEE International Conference on Acoustics, Speech and Signal Processing . IEEE, 2008, pp. 109–112
2008
Earlier work this paper cites.
N. Bertin, “Les factorisations en matrices non-négatives : approches contraintes et probabilistes, application à la transcription automatique de musique polyphonique,” Ph.D. dissertation, 2009. [Online]. Available: http://www.theses.fr/2009ENST0051
2009
Earlier work this paper cites.
V. Emiya, N. Bertin, B. David, and R. Badeau, “MAPS-a piano database for multipitch estimation and automatic transcription of music,” 2010
2010
Earlier work this paper cites.
T.-M. Wang, P.-Y. Tsai, and A. W. Su, “Score-informed pitch-wise alignment using score-driven non-negative matrix factorization,” in 2012 International Conference on Audio, Language and Image Processing . IEEE, 2012, pp. 206–211
2012
Earlier work this paper cites.
E. Benetos, A. Klapuri, and S. Dixon, “Score-informed transcription for automatic piano tutoring,” in 2012 Proceedings of the 20th European Signal Processing Conference (EUSIPCO) . IEEE, 2012, pp. 2153–2157
2012
Earlier work this paper cites.
C. Raffel, B. McFee, E. J. Humphrey, J. Salamon, O. Nieto, D. Liang, D. P. Ellis, and C. C. Raffel, “mir_eval: A transparent implementation of common mir metrics,” in In Proceedings of the 15th International Society for Music Information Retrieval Conference, ISMIR , 2014
2014
Cited alongside, same era.
T. Cheng, M. Mauch, E. Benetos, and S. Dixon, “An attack/decay model for piano transcription,” in ISMIR 2016-17st International Society for Music Information Retrieval , 2016
2016
Cited alongside, same era.
S. Sigtia, E. Benetos, and S. Dixon, “An end-to-end neural network for polyphonic piano music transcription,” IEEE/ACM Transactions on Audio, Speech, and Language Processing , vol. 24, no. 5, pp. 927–939, 2016
2016
Cited alongside, same era.
L. Gao, L. Su, Y.-H. Yang, and T. Lee, “Polyphonic piano note transcription with non-negative matrix factorization of differential spectrogram,” in 2017 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP) . IEEE, 2017, pp. 291–295
X. Fu, K. Huang, and N. D. Sidiropoulos, “On identifiability of nonnegative matrix factorization,” IEEE Signal Processing Letters , vol. 25, no. 3, pp. 328–332, 2018
2018
Later among the works it cites.
C. Hawthorne, A. Stasyuk, A. Roberts, I. Simon, C.-Z. A. Huang, S. Dieleman, E. Elsen, J. Engel, and D. Eck, “Enabling factorized piano music modeling and generation with the MAESTRO dataset,” in International Conference on Learning Representations , 2019
2019
Later among the works it cites.
V. Leplat, A. M. Ang, and N. Gillis, “Minimum-volume rank-deficient nonnegative matrix factorizations,” in 2019 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP) . IEEE, 2019, pp. 3402–3406
2019
Later among the works it cites.
D. Fagot, H. Wendt, C. Févotte, and P. Smaragdis, “Majorization-minimization algorithms for convolutive NMF with the beta-divergence,” in 2019 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP) . IEEE, 2019, pp. 8202–8206
2019
alphaXiv searches the wider corpus for related work and actual follow-ups.
alphaXiv is searching for related work…
2017
Cited alongside, same era.
D. Jeong and J. Nam, “Note intensity estimation of piano recordings by score-informed nmf,” in Audio Engineering Society Conference: 2017 AES International Conference on Semantic Audio . Audio Engineering Society, 2017
2017
Cited alongside, same era.
E. Benetos, S. Dixon, Z. Duan, and S. Ewert, “Automatic music transcription: An overview,” IEEE Signal Processing Magazine , vol. 36, no. 1, pp. 20–30, 2018
2018
Cited alongside, same era.
C. Hawthorne, E. Elsen, J. Song, A. Roberts, I. Simon, C. Raffel, J. Engel, S. Oore, and D. Eck, “Onsets and frames: Dual-objective piano transcription,” Proceedings of the 19th International Society for Music Information Retrieval Conference , 2018
2018
Cited alongside, same era.
Later among the works it cites.
2020
Later among the works it cites.
A. Degleris and N. Gillis, “A provably correct and robust algorithm for convolutive nonnegative matrix factorization,” IEEE Transactions on Signal Processing , vol. 68, pp. 2499–2512, 2020
2020
Later among the works it cites.
Y. Yan, F. Cwitkowitz, and Z. Duan, “Skipping the frame-level: Event-based piano transcription with neural semi-crfs,” Advances in Neural Information Processing Systems , vol. 34, 2021
2021
Later among the works it cites.