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Music Information Retrieval (MIR) tends to focus on the analysis of audio signals.
Untersuchungen über das metrische Verhalten in musikalischen Interpretationsvarianten
Artur Hartmann · 1932
Earlier work this paper cites.
Psychology of Music
Carl E Seashore · 1938
Earlier work this paper cites.
Temporal Structure of Performed Music: Some Preliminary Observations
Dirk-Jan Povel · 1977
Earlier work this paper cites.
The Communication of Musical Metre in Piano Performance
John A Sloboda · 1983
Earlier work this paper cites.
Timing in Solo and Duet Piano Performances
L Henry Shaffer · 1984
Earlier work this paper cites.
Once Again: The Theme from Mozart’s Piano Sonata in A Major (K. 331): A Comparison of Five Performances
Alf Gabrielsson · 1987
Earlier work this paper cites.
The Communication of Dynamics between Musicians and Listeners through Musical Performance
Toshie Nakamura · 1987
Earlier work this paper cites.
Shape and Motion in the Microstructure of Song
Robert O Gjerdingen · 1988
Earlier work this paper cites.
Mapping Musical Thought to Musical Performance
Caroline Palmer · 1989
Earlier work this paper cites.
Timing in skilled music performance
Caroline Palmer · 1989
Earlier work this paper cites.
Expressive Microstructure in Music: A Preliminary Perceptual Assessment of Four Composers’" Pulses"
Bruno H Repp · 1989
Earlier work this paper cites.
The Communication of Musical Expression
Roger A Kendall and Edward C Carterette · 1990
Earlier work this paper cites.
Patterns of Expressive Timing in Performances of a Beethoven Minuet by Nineteen Famous Pianists
Bruno H Repp · 1990
Earlier work this paper cites.
A Constraint on the Expressive Timing of a Melodic Gesture: Evidence from Performance and Aesthetic Judgment
Bruno H Repp · 1992
Earlier work this paper cites.
The Dynamics of Dynamics: A Model of Musical Expression
Neil P M Todd · 1992
Earlier work this paper cites.
Musikpsychologische Interpretationsforschung: Individualitat und Intention
Klaus-Ernst Behne and Burkhard Wetekam · 1993
Earlier work this paper cites.
Imitating and Evaluating Real and Transformed Musical Performances
Eric F Clarke · 1993
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Music as Motion: A Synopsis of Alexander Truslit’s (1938) Gestaltung und Bewegung in der Musik
Bruno H Repp · 1993
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How can Music be Expressive?
Johan Sundberg · 1993
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Acoustic Concomitants of Emotional Expression in Operatic Singing: The Case of Lucia in Ardi gli incensi
Hervine Siegwart and Klaus R Scherer · 1995
Earlier work this paper cites.
The Kinematics of Musical Expression
Neil P M Todd · 1995
Earlier work this paper cites.
The Art of Inaccuracy: Why Pianists’ Errors are Difficult to Hear
Bruno H Repp · 1996
Earlier work this paper cites.
The Dynamics of Expressive Piano Performance: Schumann’s ’Träumerei’ Revisited
Bruno H Repp · 1996
Earlier work this paper cites.
Music Performance
Caroline Palmer · 1997
Earlier work this paper cites.
Applications of Machine Learning to Music Research: Empirical Investigations into the Phenomenon of Musical Expression
Gerhard Widmer · 1997
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Rhythm and Timing in Music
Eric F Clarke · 1998
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The Performance of Music
Alf Gabrielsson · 1998
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Assessing Music Performance: Issues and Influences
Gary E McPherson and William F Thompson · 1998
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A Microcosm of Musical Expression. I. Quantitative Analysis of Pianists’ Timing in the Initial Measures of Chopin’s Etude in E major
Bruno H Repp · 1998
Earlier work this paper cites.
Obligatory "Expectations" of Expressive Timing Induced by Perception of Musical Structure
Bruno H Repp · 1998
Earlier work this paper cites.
Does Music Performance Allude to Locomotion? A Model of Final Ritardandi Derived from Measurements of Stopping Runners
Anders Friberg and Johan Sundberg · 1999
Earlier work this paper cites.
Resonance in the Perception of Musical Pulse
Leon van Noorden and Dirk Moelants · 1999
Earlier work this paper cites.
Cue Utilization in Communication of Emotion in Music Performance: Relating Performance to Perception
Patrik N Juslin · 2000
Earlier work this paper cites.
Extracting Audio Cues in Real Time to Understand Musical Expressiveness
Roberto Dillon · 2001
Earlier work this paper cites.
Tone and voice: A derivation of the rules of voice-leading from perceptual principles
David Huron · 2001
Earlier work this paper cites.
Listening to Performance
Eric F Clarke · 2002
Earlier work this paper cites.
Understanding the Psychology of Performance
Eric F Clarke · 2002
Earlier work this paper cites.
The Performance Worm: Real Time Visualisation of Expression based on Langner’s Tempo Loudness Animation
Simon Dixon, Werner Goebl, and Gerhard Widmer · 2002
Earlier work this paper cites.
From Score to Sound
Peter Hill · 2002
Earlier work this paper cites.
Representing Expressive Performance in Tempo-Loudness Space
Jörg Langner and Werner Goebl · 2002
Earlier work this paper cites.
A Statistical Approach to Expressive Intention Recognition in Violin Performances
Roberto Dillon · 2003
Cited alongside, same era.
Five Facets of Musical Expression: A Psychologist’s Perspective on Music Performance
Patrik N Juslin · 2003
Cited alongside, same era.
Communication of Emotions in Vocal Expression and Music Performance: Different Channels, Same Code?
Patrik N Juslin and Petri Laukka · 2003
Cited alongside, same era.
Evaluating Evaluation: Musical Performance Assessment as a Research Tool
Sam Thompson and Aaron Williamon · 2003
Cited alongside, same era.
Discovering simple rules in complex data: A meta-learning algorithm and some surprising musical discoveries
Gerhard Widmer · 2003
Cited alongside, same era.
Tempo and Dynamics in Piano Performance: The Role of Movement Amplitude
Automatic music transcription: challenges and future directions
Emmanouil Benetos, Simon Dixon, Dimitrios Giannoulis, Holger Kirchhoff, and Anssi Klapuri · 2013
Later among the works it cites.
Animacy, anthropomimesis, and musical line
George John Broze III · 2013
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The Influence of Room Acoustics on Solo Music Performance: An Empirical Case Study
Zora Schärer Kalkandjiev and Stefan Weinzierl · 2013
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Intonation and Expressivity: A Single Case Study of Classical Western Singing
Johan Sundberg, Filipa MB Lã, and Evangelos Himonides · 2013
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Hierarchical Approach to Detect Common Mistakes of Beginner Flute Players
Yoonchang Han and Kyogu Lee · 2014
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A Taxonomy of Listeners’ Judgments of Expressiveness in Music Performance
Emery Schubert and Dorottya Fabian · 2014
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Simone Dalla Bella and Caroline Palmer · 2004
Cited alongside, same era.
On the Recognition of Expressive Intentions in Music Playing: A Computational Approach with Experiments and Applications
Roberto Dillon · 2004
Cited alongside, same era.
The Relationship between Measured Vibrato Characteristics and Perception in Western Operatic Singing
Patricia Howes, Jean Callaghan, Pamela Davis, Dianna Kenny, and William Thorpe · 2004
Cited alongside, same era.
Rhythm and Tempo Recognition of Music Performance from a Probabilistic Approach
Haruto Takeda, Takuya Nishimoto, and Shigeki Sagayama · 2004
Cited alongside, same era.
Utility System for Constructing Database of Performance Deviations
Ken’ichi Toyoda, Kenzi Noike, and Haruhiro Katayose · 2004
Cited alongside, same era.
Computational Models of Expressive Music Performance: The State of the Art
Gerhard Widmer and Werner Goebl · 2004
Cited alongside, same era.
Automatic Recognition of Famous Artists by Machine
Gerhard Widmer and Patrick Zanon · 2004
Cited alongside, same era.
Later among the works it cites.
Predicting Expressive Dynamics in Piano Performances Using Neural Networks
Sam Van Herwaarden, Maarten Grachten, and W Bas De Haas · 2014
Later among the works it cites.
Analysis of Expressive Musical Terms in Violin Using Score-Informed and Expression-Based Audio Features
Pei-Ching Li, Li Su, Yi-Hsuan Yang, Alvin WY Su, and others · 2015
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Comparative Analysis of Orchestral Performance Recordings: An Image-based Approach
Cynthia CS Liem and Alan Hanjalic · 2015
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Detection of Common Mistakes in Novice Violin Playing
Yin-Jyun Luo, Li Su, Yi-Hsuan Yang, and Tai-Shih Chi · 2015
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A Software Framework for Musical Data Augmentation
Brian McFee, Eric J Humphrey, and Juan Pablo Bello · 2015
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A Real-time System for Measuring Sound Goodness in Instrumental Sounds
O Romani Picas, H Parra Rodriguez, Dara Dabiri, Hiroshi Tokuda, Wataru Hariya, Koji Oishi, and Xavier Serra · 2015
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The Influence of Room Acoustics on Solo Music Performance. An Experimental Study
Zora Schärer Kalkandjiev and Stefan Weinzierl · 2015
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Jazz Ensemble Expressive Performance Modeling
Helena Bantula, Sergio Iván Giraldo, and Rafael Ramirez · 2016
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Linking Melodic Expectation to Expressive Performance Timing and Perceived Musical Tension
Bruno Gingras, Marcus T Pearce, Meghan Goodchild, Roger T Dean, Geraint Wiggins, and Stephen McAdams · 2016
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Examining Rater Precision in Music Performance Assessment: An Analysis of Rating Scale Structure using the Multifaceted Rasch Partial Credit Model
Brian C Wesolowski, Stefanie A Wind, and George Engelhard · 2016
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Towards the Objective Assessment of Music Performances
Chih-Wei Wu, Siddharth Gururani, Christopher Laguna, K Ashis Pati, Amruta Vidwans, and Alexander Lerch · 2016
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Score-Informed Analysis of Tuning, Intonation, Pitch Modulation, and Dynamics in Jazz Solos
Jakob Abeßer, Klaus Frieler, Estefanía Cano, Martin Pfleiderer, and Wolf-Georg Zaddach · 2017
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A Dataset and Baseline System for Singing Voice Assessment
Baris Bozkurt, Ozan Baysal, and Deniz Yüret · 2017
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Transfer Learning for Music Classification and Regression Tasks
Keunwoo Choi, György Fazekas, Mark Sandler, and Kyunghyun Cho · 2017
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Neural Translation of Musical Style
Iman Malik and Carl Henrik Ek · 2017
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Acoustic Features for Determining Goodness of Tabla Strokes
Krish Narang and Preeti Rao · 2017
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A Formalization of Relative Local Tempo Variations in Collections of Performances
Jeroen Peperkamp, Klaus Hildebrandt, and Cynthia CS Liem · 2017
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Objective Descriptors for the Assessment of Student Music Performances
Amruta Vidwans, Siddharth Gururani, Chih-Wei Wu, Vinod Subramanian, Rupak Vignesh Swaminathan, and Alexander Lerch · 2017
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Understanding the Expressive Functions of Jingju Metrical Patterns through Lyrics Text Mining
Shuo Zhang, Rafael Caro Repetto, and Xavier Serra · 2017
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Automatic Assessment of Singing Voice Pronunciation: A Case Study with Jingju Music
Rong Gong · 2018
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Analysis of Objective Descriptors for Music Performance Assessment
Siddharth Gururani, K Ashis Pati, Chih-Wei Wu, and Alexander Lerch · 2018
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This Time with Feeling: Learning Expressive Musical Performance
Sageev Oore, Ian Simon, Sander Dieleman, Douglas Eck, and Karen Simonyan · 2018
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Analysis of Contemporary Violin Recordings of 19th Century Repertoire: Identifying Trends and Impacts
Eitan Ornoy and Shai Cohen · 2018
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Assessment of Student Music Performances Using Deep Neural Networks
K Ashis Pati, Siddharth Gururani, and Alexander Lerch · 2018
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The Singing Voice
Johan Sundberg · 2018
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Assessment of Percussive Music Performances with Feature Learning
Chih-Wei Wu and Alexander Lerch · 2018
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From Labeled to Unlabeled Data – On the Data Challenge in Automatic Drum Transcription
Chih-Wei Wu and Alexander Lerch · 2018
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Learned Features for the Assessment of Percussive Music Performances
Chih-Wei Wu and Alexander Lerch · 2018
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Singing in Physical and Virtual Environments: How Padapt to Room Acoustical Conditions
Paul Luizard, Erik Brauer, and Stefan Weinzierl · 2019
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