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Instrument recognition is a fundamental task in music information retrieval, yet little has been done to predict the presence of instruments in multi-instrument music for each time frame.
University of Iowa musical instrument samples
Matt Hallaron et al · 1997
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RWC Music Database: Popular, classical and jazz music databases
Masataka Goto, Hiroki Hashiguchi, Takuichi Nishimura, and Ryuichi Oka · 2002
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Musical instrument timbres classification with spectral features
Giulio Agostini, Maurizio Longari, and Emanuele Pollastri · 2003
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Instrument identification in polyphonic music: Feature weighting with mixed sounds, pitch-dependent timbre modeling, and use of musical context
Tetsuro Kitahara, Masataka Goto, Kazunori Komatani, Tetsuya Ogata, and Hiroshi G. Okuno · 2005
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Musical instrument recognition by pairwise classification strategies
Slim Essid, Gaël Richard, and Bertrand David · 2006
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The significance of the non-harmonic “noise” versus the harmonic series for musical instrument recognition
Arie Livshin and Xavier Rodet · 2006
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Unsupervised single-channel music source separation by average harmonic structure modeling
Zhiyao Duan, Yungang Zhang, Changshui Zhang, and Zhenwei Shi · 2008
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ImageNet: A Large-Scale Hierarchical Image Database
Jia Deng et al · 2009
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Temporal integration for audio classification with application to musical instrument classification
Cyril Joder, Slim Essid, and Gaël Richard · 2009
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Constant-Q transform toolbox for music processing
Christian Schoerkhuber and Anssi Klapuri · 2010
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Musical instrument classification using individual partials
Jayme Garcia Arnal Barbedo and George Tzanetakis · 2011
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A comparison of sound segregation techniques for predominant instrument recognition in musical audio signals
Juan J. Bosch, Jordi Janer, Ferdinand Fuhrmann, and Perfecto Herrera · 2012
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Modified group delay feature for musical instrument recognition
Aleksandr Diment, Padmanabhan Rajan, Toni Heittola, and Tuomas Virtanen · 2013
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MedleyDB: A multitrack dataset for annotation-intensive MIR research
Rachel Bittner, Justin Salamon, Mike Tierney, Matthias Mauch, Chris Cannam, and Juan Bello1 · 2014
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Multi-pitch streaming of harmonic sound mixtures
Zhiyao Duan, Jinyu Han, and Bryan Pardo · 2014
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A generative product-of-filters model of audio
Dawen Liang, Matthew D. Hoffman, and Gautham J. Mysore · 2014
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Microsoft COCO: Common objects in context
Tsung-Yi Lin et al · 2014
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mir_eval: a transparent implementation of common mir metrics
Colin Raffel, Brian Mcfee, Eric J. Humphrey, Justin Salamon, Oriol Nieto, Dawen Liang, and Daniel P. W. Ellis · 2014
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Playing with tagging: A real-time tagging music player
Ju-Chiang Wang, Hsin-Min Wang, and Shyh-Kang Jeng · 2014
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Sparse cepstral codes and power scale for instrument identification
Li-Fan Yu, Li Su, and Yi-Hsuan Yang · 2014
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Batch normalization: Accelerating deep network training by reducing internal covariate shift
Sergey Ioffe and Christian Szegedy · 2015
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Deep learning
Yann LeCun, Yoshua Bengio, and Geoffrey Hinton · 2015
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Deep salience representations for f 0 f0 estimation in polyphonic music
Rachel M. Bittner, Brian McFee, Justin Salamon, Peter Li, and Juan P. Bello · 2017
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High-level music descriptor extraction algorithm based on combination of multi-channel CNNs and LSTM
Ning Chen and Shijun Wang · 2017
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Convolutional recurrent neural networks for music classification
Keunwoo Choi, Gyorgy Fazekas, Mark Sandler, and Kyunghyun Cho · 2017
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A review on deep learning techniques applied to semantic segmentation
Alberto Garcia-Garcia, Sergio Orts-Escolano, Sergiu Oprea, Victor Villena-Martinez, and José García Rodríguez · 2017
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Deep convolutional neural networks for predominant instrument recognition in polyphonic music
Yoonchang Han, Jaehun Kim, and Kyogu Lee · 2017
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Automatic instrument recognition in polyphonic music using convolutional neural networks
Peter Li, Jiyuan Qian, and Tian Wang · 2015
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librosa: Audio and music signal analysis in python
Brian McFee, Colin Raffel, Dawen Liang, Daniel PW Ellis, Matt McVicar, Eric Battenberg, and Oriol Nieto · 2015
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Taejin Park and Taejin Lee · 2015
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Conversations with expert users in music retrieval and research challenges for creative MIR
Kristina Andersen and Peter Knees · 2016
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Deep residual learning for image recognition
Kaiming He, Xiangyu Zhang, Shaoqing Ren, and Jian Sun · 2016
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Event localization in music auto-tagging
Jen-Yu Liu and Yi-Hsuan Yang · 2016
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CNN architectures for large-scale audio classification
Shawn Hershey et al · 2017
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Rare sound event detection using 1D convolutional recurrent neural networks
Hyungui Lim, Jeongsoo Park, Kyogu Lee, and Yoonchang Han · 2017
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A dataset and method for electric guitar solo detection in rock music
Kumar Ashis Pati and Alexander Lerch · 2017
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The story of audioset, 2017
Rif A. Saurous et al · 2017
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Learning features of music from scratch
John Thickstun, Zaid Harchaoui, and Sham M. Kakade · 2017
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An accurate open-source solo musical instrument classifier
Hanna Yip and Rachel M. Bittner · 2017
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Learning to recognize transient sound events using attentional supervision
Szu-Yu Chou, Jyh-Shing Jang, and Yi-Hsuan Yang · 2018
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Onsets and frames: Dual-objective piano transcription
Curtis Hawthorne, Erich Elsen adn Jialin Song, Adam Roberts, Ian Simon, Colin Raffel, Jesse Engel, Sageev Oore, and Douglas Eck · 2018
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Audacity
Audacity Team · 2018
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Invariances and data augmentation for supervised music transcription
John Thickstun, Zaid Harchaoui, Dean P. Foster, and Sham M. Kakade · 2018
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